Yesterday evening I attended the lecture “Eyes Don’t Lie” by Herlinde Koelbl which was held in the series Photomeetings Luxembourg which was just as interesting as yesterday’s lecture. Luxembourg is not London so it is important that when a few important photographers and photo editors visit Luxembourg for a series of free lectures that you make sure you attend 🙂
I particularly paid attention to the way she approached her projects. Now that I want to approach my photography also more as a series of projects, I was very happy that Mrs. Koelbl spent quite a lot of time on that subject.
I will make sure the to visit the vernissage at Galerie beim Engel for the photos of her latest book, Targets. The photos she showed us during the lecture were powerful stuff!
Yesterday evening I attended the lecture “A Personal History of Photojournalism” by 97 years old John G. Morris which was held in the series Photomeetings Luxembourg, and it was a pleasure to hear the stories he had to accompany the wide-range of photos that he presented to us. Having been photo-editor at Life magazine, Magnum, Washington Post, New York Times, etc, etc, and having worked side by side with so many of the greatest photojournalists of the last century, you can be sure that he had us spellbound for the duration of the 90 minutes talk. I was, of course, mostly aware of all his achievements, but the one thing I wasn’t aware of were his efforts in working for peace which I do applaud. It’s clear that none of the war photographers can be counted among the ‘hawks’ and I do understand their worry that their photos might be used to glamorize a war.
I’m looking forward to his upcoming book, Getting the Picture, that he intends to finish at his centenary.
After having used infrared film in 2012 and earlier, I have been struggling a bit with fogging. I’m pretty sure the problem was due to the fact that it takes a while to load my Pentax 67II; my Pentax 645NII is much easier to load in a darkened room so I went back to this camera even though it meant that I had to remember to switch off the exposure data recording on the side of the negative as this also fogs the Efke IR820 film.
As I was only experimenting, trying to see if I could successfully expose and develop a roll of Efke IR820 film, I only exposed a handful of negatives. Of course, then the weather changed and the clear skies and burning sun were gone.
I didn’t want to wait too long before developing the film, so in the end I decided to expose the last frames as a normal ISO 100 film without using the Hoya R72 filter. What do you know, the results are a bit grainy for an ISO 100 film, but overall it isn’t a bad film.
One of the most impressive temples of the pilgrimage is Temple 32, Hosho-ji. The much photographed Kannon hall is located next to a cave, very picturesque, but there is also a path that will lead you to another kannon statue and a nice view.
When waiting for the stamp, the monk pointed us to a set of stone ‘footsteps,’ standing on the footsteps ,you could just make out a kannon statue on the top of the rock. It takes about an hour to visit and the path involves a bit of climbing and holding onto iron chains and railings for dear life. There were signs up there in kanji which I, unfortunately, couldn’t read but after a while I made it up to one of the statues.
I would have liked to explore the other directions but with my wife and friend waiting below, I chose to climb down again.