Scanning Large Format

I really need a better scanner that can handle the large format 4×5 inch negatives that I’m working with now, but at the moment I have no choice but to use my Epson V500 PHOTO.

For the moment I found the following solution: I scan the negative in parts and use the Photomerge feature in an old version of Adobe Photoshop Elements to stitch the parts back together.  Not a great way, probably not recommended, but so far it has done the trick. 🙂

Update: I’ve now obtained an Epson V800 PHOTO scanner and get much better results.

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Cambo SC2 4×5 camera

I bought a second-hand Cambo SC2 4×5 large format camera, see here for an image of one just like it, and a Rodenstock Sironar APO N 150mm lens, see here. The 150mm lens is on the 4” x 5” negative format similar to a 50mm lens on an 35mm SLR.

This is my first photo taken with this camera and lens combination:
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Not an overly interesting scene but important to me in any case as everything worked out. Large Format photography is quite different from using an SLR or a medium format camera: so many things can be adjusted. In this shot the camera is facing down a bit and I tilted the lens even more forward to increase the DOF. The back of the camera is kept vertically so the vertical lines wouldn’t fall ‘backwards.’
The image is composed on the ground glass with the aperture open using the dark cloth to actually be able to make out the details. When you’re happy, you close the aperture, meter the scene and set the exposure on the lens, insert the film holder, cock the shutter, remove the dark slide, release the shutter, reinsert the dark slide, preferably with the black side in front to signal that this side has been exposed and remove the film holder. That’s one photo done!

I posted it on Facebook and a bloke immediately jumped to the conclusion that the white reflections on the water was dust and treated me like a film newbie. So cute when that happens. 🙂

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Doubles

While walking around Skansen in Stockholm I had the chance to shoot some ADOX Color Implosion film and some Kodak TRI-X. As Skansen isn’t too large, we came upon the same scenes several times and I shot the same things with the different films.

ADOX Color Implosion film Kodak TRI-X at EI 400, developed in HC-110 dilution H for 11 minutes, agitation: 2 inversions every 30 seconds

This is not intended to be a comparison between colour and black and white as ADOX Color Implosion film is of course a very atypical colour film.

 ADOX Color Implosion film Kodak TRI-X at EI 400, developed in HC-110 dilution H for 11 minutes, agitation: 2 inversions every 30 seconds

Even though I enjoyed shooting the ADOX colour film and the results were fun, I probably won’t be buying it and will continue to rely on slidefilm for my colour photos and for black and white film for everything else.

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