The Family of Man

Over a week ago we visited Clervaux Castle to see the Edward Steichen collection of The Family of Man, 503 photos by 273 photographers from 68 countries consisting of 37 themes. Steichen brought the collection together for the New York Museum of Modern Art (MoMA) first in 1955 and it has travelled the world and been exposed in over 150 museums before the final integral version was installed in Clervaux Castle in the North of Luxembourg.
Photos by artists such as Robert Capa, Henri Cartier-Bresson, Dorothea Lange, Robert Doisneau, W. Eugene Smith, Diane Arbus, Robert Frank and Ansel Adams and many more. I loved it! The day we visited it was relatively quiet and photography is allowed as long as you don’t use a flash. Duh!

The last photo in the collection is A Walk To The Paradise Garden by W. Eugene Smith, to close on an optimistic note, I guess. I’m a big fan of the photos of W. Eugene Smith, if you do not know his work make sure to check him out today, but although this photo is well executed it also contains little truth to me and the photos of W. Eugene Smith are usually bursting with truth. I’m sure most people would disagree, but I would not have ended the Family of Man exhibition with this photo…

Shot on Kodak TRI-X film at EI 800, developed in HC-110 dilution B for 11 minutes, agitation: 2 inversions every 30 seconds
Shot on Kodak TRI-X film at EI 800, developed in HC-110 dilution B for 11 minutes, agitation: 2 inversions every 30 seconds
Shot on Kodak TRI-X film at EI 800, developed in HC-110 dilution B for 11 minutes, agitation: 2 inversions every 30 seconds
Shot on Kodak TRI-X film at EI 800, developed in HC-110 dilution B for 11 minutes, agitation: 2 inversions every 30 seconds
Shot on Kodak TRI-X film at EI 800, developed in HC-110 dilution B for 11 minutes, agitation: 2 inversions every 30 seconds
Shot on Kodak TRI-X film at EI 800, developed in HC-110 dilution B for 11 minutes, agitation: 2 inversions every 30 seconds
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Hi-tech pinhole photography

The fun part of pinhole photography is that it is so low-tech: No real lens involved, no focussing, great results without any hassle. Or so you might think. For me, pinhole photography means that I need to bring my Android tablet, a grey-card and Sekonic 758D lightmeter to get the job done and get a predictable exposure. It is probably as hi-tech as I need to get for all of my photography. 🙂

My technique with which I have now been able to get decent and reproducible results, comes down the following steps:

  • Use the Film Crop Assistant app to get the location of the tripod and the composition right as you cannot look through the lens, of course.
  • Use the grey-card and the lightmeter to get a reading.
  • Use the Pinhole Camera Calculator app to convert that reading into an basic exposure time that matches the f-stop of my pinhole lens.
  • Use reciprocity failure correction tables specific to the film that I use the Reciprocity app that calculates the exposure time to use for a given film and metered exposure time.
  • Use the Timer option of the Android Clock to time the exposure.

No doubt you can find similar or better tools for the Apple world.

Foma Fomapan 100 film @ EI 100, developed in HC-110 dilution H for 10 minutes, agitation: 2 inversions every 30 seconds.
Foma Fomapan 100 film @ EI 100, developed in HC-110 dilution H for 10 minutes, agitation: 2 inversions every 30 seconds.
Foma Fomapan 100 film @ EI 100, developed in HC-110 dilution H for 10 minutes, agitation: 2 inversions every 30 seconds.
Foma Fomapan 100 film @ EI 100, developed in HC-110 dilution H for 10 minutes, agitation: 2 inversions every 30 seconds.
Foma Fomapan 100 film @ EI 100, developed in HC-110 dilution H for 10 minutes, agitation: 2 inversions every 30 seconds.
Foma Fomapan 100 film @ EI 100, developed in HC-110 dilution H for 10 minutes, agitation: 2 inversions every 30 seconds.
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Pinhole for the Pentax 6×7

A few weeks ago, just after Worldwide Pinhole Photography Day, I picked up a Skink Pinhole Pancake Retro Pro Pentax 67 for my Pentax 67II camera. It has the standard mount so it will fit on the Pentax 6×7, 67 and 67II cameras no doubt and with the proper adapter, I expect that it can be used on a whole host of other cameras; I intend to try it out on my Pentax 645NII later this year.

Skink Pinhole Pancake Retro Pro Pentax 67

Over a few weekends I have had the chance to experiment with it. I’m happy with the results, of course the images are soft but attractive in their softness. Before I started I was expecting a bit of vignetting but there was no sign of it.

Foma Fomapan 100 film @ EI 100, developed in HC-110 dilution H for 10 minutes, agitation: 2 inversions every 30 seconds.
Foma Fomapan 100 film @ EI 100, developed in HC-110 dilution H for 10 minutes, agitation: 2 inversions every 30 seconds.
Foma Fomapan 100 film @ EI 100, developed in HC-110 dilution H for 10 minutes, agitation: 2 inversions every 30 seconds.
Foma Fomapan 100 film @ EI 100, developed in HC-110 dilution H for 10 minutes, agitation: 2 inversions every 30 seconds.
Foma Fomapan 100 film @ EI 100, developed in HC-110 dilution H for 10 minutes, agitation: 2 inversions every 30 seconds.
Foma Fomapan 100 film @ EI 100, developed in HC-110 dilution H for 10 minutes, agitation: 2 inversions every 30 seconds.
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