Michael Kenna & the copse

If you are a fan of the work of Michael Kenna, like I am, you recognize the scene in the photo below from his photo books or from the very inspiring video that he put up on his website. If you haven’t watched it yet, take a few minutes and watch it now and you’ll love it. This photo is taken around Biei in Hokkaido and this is an amazing area, especially in the snow, and a very popular area for photographers these days.

Fuji Neopan Acros 100 at EI 100, developed in HC-110 dilution E for 7 minutes. Agitation: 2 inversions every 30 seconds.
Fuji Neopan Acros 100 at EI 100, developed in HC-110 dilution E for 7 minutes. Agitation: 2 inversions every 30 seconds.

For me the most remarkable thing in the video is that Michael and his assistant enter the field and plough through the snow to find the right spot to take the photo. When I visited in January, the fields at several of the famous locations around Biei were roped off and large signs in Japanese, Chinese and English every 20 meters indicated that it was forbidden to enter the fields, including the area around this copse. But as you can see in my photo, people do enter the field nevertheless; damaging the seedlings, spoiling the shots with their tracks for us who decide the follow the rules and triggering investigations by the forestry ministry. We ran into a car of the ministry and a guy was taking eyewitness reports about the people who had entered the field that morning.
I’m not saying that Michael Kenna behaved incorrectly, it is clear from the video that the field was not roped off and no signs were visible at the time. But I’m saying that if it is roped off and if signs are indicating that it would hurt crops to enter the field, people should follow the rules. You might have your shots, but what if the farmer is fed up with the constant damage and decides to level the copse and end this great location for everybody forever? You probably don’t care about that, as I said, you have your shots… 🙁
Normally I never hesitate to shoot first and ask questions later, but the reason for the ban was explained and I would hate to leave tracks that would impact all the other photographers that would come after me as is obvious from my photo. Thanks for nothing!

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